Colour prints were introduced gradually, and at first were only used for special commissions. The earliest ukiyo-e works, Hishikawa Moronobu's paintings and monochromatic prints of women, emerged in the 1670s. Printed or painted ukiyo-e works were popular with the chōnin class, who had become wealthy enough to afford to decorate their homes with them. The term ukiyo-e ( 浮世絵) translates as "picture of the floating world".Īfter Edo (now Tokyo) became the seat of the ruling Tokugawa shogunate in 1603, the chōnin class of merchants, craftsmen, and workers benefited most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts the term ukiyo ("floating world") came to describe this hedonistic lifestyle. Its artists produced woodblock prints and paintings of subjects including female beauties kabuki actors and sumo wrestlers scenes from history and folk tales travel scenes and landscapes Japanese flora and fauna and erotica. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. It has influenced several notable artists and musicians, including Vincent van Gogh, Claude Debussy, Claude Monet, and Hiroshige. The Great Wave off Kanagawa has been described as "possibly the most reproduced image in the history of all art", as well as being a contender for the "most famous artwork in Japanese history". Several museums throughout the world hold copies of The Great Wave, many of which came from 19th-century private collections of Japanese prints. The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and later in Europe, where Hokusai's art inspired works by the Impressionists. The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints. The print depicts three boats moving through a storm-tossed sea, with a large wave forming a spiral in the centre and Mount Fuji visible in the background. 'Under the Wave off Kanagawa') is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history. This.polyBottom = this.The Great Wave off Kanagawa ( Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura, lit. This.polyTop = this.polyStart + "0% 0%, " // starts in the top left corner This.polyRight = this.polyStart + "100% 0%, " //starts in the top right corner This.polyLeft = this.polyStart + "0% 0%, " //starts in the top left corner O /*orientation => left/right/top/bottom - the 'flat edge' of the polygon*/ S, /*a slice function(y, i) from y =>, with slice index, i, in */ (Another option would be to draw a different SVG.)Īnother thing to pay attention to here is the background-size set to 100% 100% to get it to stretch in both directions.įunction Pol圜alc(f /*a function(t) from */, Pay attention (like in the first demo) to a change in the viewBox to get rid of unwanted spaces in the SVG. To edit the colors, you need to edit the URL-encoded SVG itself. (Could use CSS custom properties or pre-processor variables to keep the height and padding easy to read.) It was a bit trickier to position than with an inline SVG but works just as well. Cras et semper mi, in porta nunc.ĭemo Wavy divider (with CSS pseudo-elements to avoid extra markup) Sed sodales leo nisl, ut consequat est ornare eleifend. Donec suscipit diam ligula, aliquam consequat tellus sagittis porttitor. Vestibulum congue elementum neque eget feugiat. … In iaculis fermentum lacus vel porttitor. In facilisis nulla suscipit ornare finibus. Nulla pretium lectus et arcu tempus, quis luctus ex imperdiet. Vivamus nec quam tincidunt, iaculis mi non, hendrerit felis. } Lorem ipsum dolor sit amet, consectetur adipiscing elit.
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